Difference between revisions of "Page 165"

From FinnegansWiki
Jump to navigationJump to search
 
(3 intermediate revisions by 2 users not shown)
Line 8: Line 8:
 
  slow) and then, O! on the third dead beat, O! to cluse her eyes
 
  slow) and then, O! on the third dead beat, O! to cluse her eyes
 
  and aiopen her oath and see what spice I may send her. How?
 
  and aiopen her oath and see what spice I may send her. How?
  Cease thee, cantatrickee! I fain would be solo. Arouse thee, my
+
  Cease thee, [[cantatrickee]]! I fain would be solo. Arouse thee, my
 
  valour! And save for e'er my [[true Bdur]]!
 
  valour! And save for e'er my [[true Bdur]]!
 
       I shall have a word to say in a few yards about the acoustic  
 
       I shall have a word to say in a few yards about the acoustic  
Line 22: Line 22:
 
  to be truly torse should evoke the bush soul of females so I am
 
  to be truly torse should evoke the bush soul of females so I am
 
  leaving it to the experienced victim to complete the general
 
  leaving it to the experienced victim to complete the general
  suggestion by the mental addition of a wallopy bound or, should
+
  suggestion by the mental addition of a [[wallopy]] bound or, should
  the zulugical zealot prefer it, a congorool teal. The hatboxes
+
  the [[zulugical]] zealot prefer it, a [[congorool]] teal. The hatboxes
  which composed Rhomba, lady Trabezond (Marge in her <I>ex-</I>
+
  which composed Rhomba, lady [[Trabezond]] (Marge in her <I>ex-</I>
 
  <I>celsis</I>), also comprised the climactogram up which B and C may
 
  <I>celsis</I>), also comprised the climactogram up which B and C may
 
  fondly be imagined ascending and are suggestive of gentlemen's
 
  fondly be imagined ascending and are suggestive of gentlemen's
Line 30: Line 30:
 
  claylayers of eocene and pleastoseen formation and the gradual
 
  claylayers of eocene and pleastoseen formation and the gradual
 
  morphological changes in our body politic which Professor
 
  morphological changes in our body politic which Professor
  Ebahi-Ahuri of Philadespoinis (Ill) <STRIKE> ;  ; </STRIKE>; whose bluebutterbust I
+
  Ebahi-Ahuri of Philadespoinis (Ill) <STRIKE>   </STRIKE> whose bluebutterbust I
  have just given his coupe de grass to <STRIKE> ;  ; </STRIKE>; neatly names a <I>bo&icirc;te &agrave;</I>
+
  have just given his coupe de grass to <STRIKE>   </STRIKE> neatly names a <I>bo&icirc;te &agrave;</I>
 
  <I>surprises</I>. The boxes, if I may break the subject gently, are worth
 
  <I>surprises</I>. The boxes, if I may break the subject gently, are worth
 
  about fourpence pourbox but I am inventing a more patent pro-
 
  about fourpence pourbox but I am inventing a more patent pro-

Latest revision as of 11:34, 1 August 2009

TOC

Page 164 Page 166

(the best thing that could happen to it!) and attack the roulade
with a swift colpo di glottide to the lug (though Maace I will
insist was reclined from overdoing this, his recovery often being
slow) and then, O! on the third dead beat, O! to cluse her eyes
and aiopen her oath and see what spice I may send her. How?
Cease thee, cantatrickee! I fain would be solo. Arouse thee, my
valour! And save for e'er my true Bdur!
     I shall have a word to say in a few yards about the acoustic 
and orchidectural management of the tonehall but, as ours is a
vivarious where one plant's breaf is a lunger planner's byscent
and you may not care for argon, it will be very convenient for
me for the emolument to pursue Burrus and Caseous for a rung
or two up their isocelating biangle. Every admirer has seen my
goulache of Marge (she is so like the sister, you don't know, and
they both dress A L I K E !) which I titled The Very Picture of
a Needlesswoman which in the presence ornates our national
cruetstand. This genre of portraiture of changes of mind in order
to be truly torse should evoke the bush soul of females so I am
leaving it to the experienced victim to complete the general
suggestion by the mental addition of a wallopy bound or, should
the zulugical zealot prefer it, a congorool teal. The hatboxes
which composed Rhomba, lady Trabezond (Marge in her ex-
celsis), also comprised the climactogram up which B and C may
fondly be imagined ascending and are suggestive of gentlemen's
spring modes, these modes carrying us back to the superimposed
claylayers of eocene and pleastoseen formation and the gradual
morphological changes in our body politic which Professor
Ebahi-Ahuri of Philadespoinis (Ill)      whose bluebutterbust I
have just given his coupe de grass to      neatly names a boîte à
surprises. The boxes, if I may break the subject gently, are worth
about fourpence pourbox but I am inventing a more patent pro-
cess, foolproof and pryperfect (I should like to ask that Shedlock
Homes person who is out for removing the roofs of our criminal
classics by what deductio ad domunum he hopes de tacto to detect
anything unless he happens of himself, movibile tectu, to have a
slade off) after which they can be reduced to a fragment of their