Difference between revisions of "Page 164"
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[[Page 163]] [[Page 165]] | [[Page 163]] [[Page 165]] | ||
| − | I helped him to in my princeps edition which is all so munch | + | I helped him to in my [[princeps edition]] which is all so munch |
to the cud) are mutuearly polarised the incompatabilily of any | to the cud) are mutuearly polarised the incompatabilily of any | ||
delusional acting as ambivalent to the fixation of his pivotism. | delusional acting as ambivalent to the fixation of his pivotism. | ||
| − | Positing, as above, too males pooles, the one the pictor of the | + | Positing, as above, too males pooles, the one the [[pictor]] of the |
| − | other and the omber the <i>Skotia </i>of the one, and looking want- | + | other and the [[omber]] the <i>[[Skotia]] </i>of the one, and looking want- |
ingly around our undistributed middle between males we feel | ingly around our undistributed middle between males we feel | ||
we must waistfully woent a female to focus and on this stage | we must waistfully woent a female to focus and on this stage | ||
there pleasantly appears the cowrymaid M. whom we shall | there pleasantly appears the cowrymaid M. whom we shall | ||
often meet below who introduces herself upon us at some precise | often meet below who introduces herself upon us at some precise | ||
| − | hour which we shall again agree to call absolute zero or the | + | hour which we shall again agree to call [[absolute zero]] or the |
babbling pumpt of platinism. And so like that former son | babbling pumpt of platinism. And so like that former son | ||
of a kish who went up and out to found his farmer's ashes we | of a kish who went up and out to found his farmer's ashes we | ||
| Line 20: | Line 20: | ||
[[shamebred|bred]] music (technologically, let me say, the appetising entry of | [[shamebred|bred]] music (technologically, let me say, the appetising entry of | ||
this subject on a fool chest of vialds is plumply pudding the carp | this subject on a fool chest of vialds is plumply pudding the carp | ||
| − | before doevre hors) evidenced by such words in distress as <I>I</I> | + | before doevre hors) evidenced by such [[words in distress]] as <I>I</I> |
<I>cream for thee, Sweet Margareen,</I> and the more hopeful <I>O Mar-</I> | <I>cream for thee, Sweet Margareen,</I> and the more hopeful <I>O Mar-</I> | ||
<I>gareena! O Margareena! Still in the bowl is left a lump of gold!</I> | <I>gareena! O Margareena! Still in the bowl is left a lump of gold!</I> | ||
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correct garnish to serve drisheens with. Tansy Sauce. Enough). | correct garnish to serve drisheens with. Tansy Sauce. Enough). | ||
The pawnbreaking pathos of the first of these shoddy pieces | The pawnbreaking pathos of the first of these shoddy pieces | ||
| − | reveals it as a Caseous effort. Burrus's bit is often used for a toast. | + | reveals it as a [[Caseous]] effort. [[Burrus]]'s bit is often used for a toast. |
Criniculture can tell us very precisely indeed how and why this | Criniculture can tell us very precisely indeed how and why this | ||
particular streak of yellow silver first appeared on (not in) the | particular streak of yellow silver first appeared on (not in) the | ||
bowel, that is to see, the human head, bald, black, bronze, brown, | bowel, that is to see, the human head, bald, black, bronze, brown, | ||
| − | brindled, betteraved or blanchemanged where it might be use- | + | [[brindled]], [[betteraved]] or [[blanchemanged]] where it might be use- |
| − | fully compared with an earwig on a fullbottom. I am offering | + | fully compared with an [[earwig on a fullbottom]]. I am offering |
this to Signorina Cuticura and I intend to take it up and bring it | this to Signorina Cuticura and I intend to take it up and bring it | ||
under the nosetice of Herr Harlene by way of diverting his | under the nosetice of Herr Harlene by way of diverting his | ||
Latest revision as of 11:22, 13 December 2012
I helped him to in my princeps edition which is all so munch to the cud) are mutuearly polarised the incompatabilily of any delusional acting as ambivalent to the fixation of his pivotism. Positing, as above, too males pooles, the one the pictor of the other and the omber the Skotia of the one, and looking want- ingly around our undistributed middle between males we feel we must waistfully woent a female to focus and on this stage there pleasantly appears the cowrymaid M. whom we shall often meet below who introduces herself upon us at some precise hour which we shall again agree to call absolute zero or the babbling pumpt of platinism. And so like that former son of a kish who went up and out to found his farmer's ashes we come down home gently on our own turnedabout asses to meet Margareen. We now romp through a period of pure lyricism of shame- bred music (technologically, let me say, the appetising entry of this subject on a fool chest of vialds is plumply pudding the carp before doevre hors) evidenced by such words in distress as I cream for thee, Sweet Margareen, and the more hopeful O Mar- gareena! O Margareena! Still in the bowl is left a lump of gold! (Correspondents, by the way, will keep on asking me what is the correct garnish to serve drisheens with. Tansy Sauce. Enough). The pawnbreaking pathos of the first of these shoddy pieces reveals it as a Caseous effort. Burrus's bit is often used for a toast. Criniculture can tell us very precisely indeed how and why this particular streak of yellow silver first appeared on (not in) the bowel, that is to see, the human head, bald, black, bronze, brown, brindled, betteraved or blanchemanged where it might be use- fully compared with an earwig on a fullbottom. I am offering this to Signorina Cuticura and I intend to take it up and bring it under the nosetice of Herr Harlene by way of diverting his attentions. Of course the unskilled singer continues to pervert our wiser ears by subordinating the space-element, that is to sing, the aria, to the time-factor, which ought to be killed, ill tempor. I should advise any unborn singer who may still be among my heeders to forget her temporal diaphragm at home
