Difference between revisions of "Page 165"
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slow) and then, O! on the third dead beat, O! to cluse her eyes | slow) and then, O! on the third dead beat, O! to cluse her eyes | ||
and aiopen her oath and see what spice I may send her. How? | and aiopen her oath and see what spice I may send her. How? | ||
| − | Cease thee, cantatrickee! I fain would be solo. Arouse thee, my | + | Cease thee, [[cantatrickee]]! I fain would be solo. Arouse thee, my |
| − | valour! And save for e'er my true Bdur! | + | valour! And save for e'er my [[true Bdur]]! |
I shall have a word to say in a few yards about the acoustic | I shall have a word to say in a few yards about the acoustic | ||
and orchidectural management of the tonehall but, as ours is a | and orchidectural management of the tonehall but, as ours is a | ||
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to be truly torse should evoke the bush soul of females so I am | to be truly torse should evoke the bush soul of females so I am | ||
leaving it to the experienced victim to complete the general | leaving it to the experienced victim to complete the general | ||
| − | suggestion by the mental addition of a wallopy bound or, should | + | suggestion by the mental addition of a [[wallopy]] bound or, should |
| − | the zulugical zealot prefer it, a congorool teal. The hatboxes | + | the [[zulugical]] zealot prefer it, a [[congorool]] teal. The hatboxes |
| − | which composed Rhomba, lady Trabezond (Marge in her <I>ex-</I> | + | which composed Rhomba, lady [[Trabezond]] (Marge in her <I>ex-</I> |
<I>celsis</I>), also comprised the climactogram up which B and C may | <I>celsis</I>), also comprised the climactogram up which B and C may | ||
fondly be imagined ascending and are suggestive of gentlemen's | fondly be imagined ascending and are suggestive of gentlemen's | ||
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claylayers of eocene and pleastoseen formation and the gradual | claylayers of eocene and pleastoseen formation and the gradual | ||
morphological changes in our body politic which Professor | morphological changes in our body politic which Professor | ||
| − | Ebahi-Ahuri of Philadespoinis (Ill) <STRIKE> | + | Ebahi-Ahuri of Philadespoinis (Ill) <STRIKE> </STRIKE> whose bluebutterbust I |
| − | have just given his coupe de grass to <STRIKE> | + | have just given his coupe de grass to <STRIKE> </STRIKE> neatly names a <I>boîte à</I> |
<I>surprises</I>. The boxes, if I may break the subject gently, are worth | <I>surprises</I>. The boxes, if I may break the subject gently, are worth | ||
about fourpence pourbox but I am inventing a more patent pro- | about fourpence pourbox but I am inventing a more patent pro- | ||
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anything unless he happens of himself, <I>movibile tectu</I>, to have a | anything unless he happens of himself, <I>movibile tectu</I>, to have a | ||
slade off) after which they can be reduced to a fragment of their | slade off) after which they can be reduced to a fragment of their | ||
| − | |||
Latest revision as of 11:34, 1 August 2009
(the best thing that could happen to it!) and attack the roulade with a swift colpo di glottide to the lug (though Maace I will insist was reclined from overdoing this, his recovery often being slow) and then, O! on the third dead beat, O! to cluse her eyes and aiopen her oath and see what spice I may send her. How? Cease thee, cantatrickee! I fain would be solo. Arouse thee, my valour! And save for e'er my true Bdur! I shall have a word to say in a few yards about the acoustic and orchidectural management of the tonehall but, as ours is a vivarious where one plant's breaf is a lunger planner's byscent and you may not care for argon, it will be very convenient for me for the emolument to pursue Burrus and Caseous for a rung or two up their isocelating biangle. Every admirer has seen my goulache of Marge (she is so like the sister, you don't know, and they both dress A L I K E !) which I titled The Very Picture of a Needlesswoman which in the presence ornates our national cruetstand. This genre of portraiture of changes of mind in order to be truly torse should evoke the bush soul of females so I am leaving it to the experienced victim to complete the general suggestion by the mental addition of a wallopy bound or, should the zulugical zealot prefer it, a congorool teal. The hatboxes which composed Rhomba, lady Trabezond (Marge in her ex- celsis), also comprised the climactogram up which B and C may fondly be imagined ascending and are suggestive of gentlemen's spring modes, these modes carrying us back to the superimposed claylayers of eocene and pleastoseen formation and the gradual morphological changes in our body politic which Professor Ebahi-Ahuri of Philadespoinis (Ill)whose bluebutterbust I have just given his coupe de grass toneatly names a boîte à surprises. The boxes, if I may break the subject gently, are worth about fourpence pourbox but I am inventing a more patent pro- cess, foolproof and pryperfect (I should like to ask that Shedlock Homes person who is out for removing the roofs of our criminal classics by what deductio ad domunum he hopes de tacto to detect anything unless he happens of himself, movibile tectu, to have a slade off) after which they can be reduced to a fragment of their
