Difference between revisions of "Page 559"
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skirts of city. Groove two. Chamber scene. Boxed. Ordinary bed- | skirts of city. Groove two. Chamber scene. Boxed. Ordinary bed- | ||
| − | room set. Salmonpapered walls. Back, empty Irish grate, Adam's | + | room set. [[Salmonpapered walls.]] Back, empty Irish grate, Adam's |
mantel, with wilting elopement fan, soot and tinsel, condemned. | mantel, with wilting elopement fan, soot and tinsel, condemned. | ||
North, wall with window practicable. Argentine in casement | North, wall with window practicable. Argentine in casement | ||
Vamp. Pelmit above. No curtains. Blind drawn. South, party wall | Vamp. Pelmit above. No curtains. Blind drawn. South, party wall | ||
| − | Bed for two with strawberry bedspread, wickerworker clubsessel | + | Bed for two with strawberry bedspread, [[wickerworker clubsessel]] |
| − | and caneseated millikinstool. Bookshrine without, facetowel upon. | + | and [[caneseated millikinstool]]. Bookshrine without, facetowel upon. |
Chair for one. Woman's garments on chair. Man's trousers with | Chair for one. Woman's garments on chair. Man's trousers with | ||
crossbelt braces, collar on bedknob. Man's corduroy surcoat with | crossbelt braces, collar on bedknob. Man's corduroy surcoat with | ||
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old mother Mesopotomac and in eight and eight sixtyfour she | old mother Mesopotomac and in eight and eight sixtyfour she | ||
was off, door, knightlamp with her, billy's largelimbs prodgering | was off, door, knightlamp with her, billy's largelimbs prodgering | ||
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Revision as of 09:28, 16 July 2012
skirts of city. Groove two. Chamber scene. Boxed. Ordinary bed- room set. Salmonpapered walls. Back, empty Irish grate, Adam's mantel, with wilting elopement fan, soot and tinsel, condemned. North, wall with window practicable. Argentine in casement Vamp. Pelmit above. No curtains. Blind drawn. South, party wall Bed for two with strawberry bedspread, wickerworker clubsessel and caneseated millikinstool. Bookshrine without, facetowel upon. Chair for one. Woman's garments on chair. Man's trousers with crossbelt braces, collar on bedknob. Man's corduroy surcoat with tabrets and taces, seapan nacre buttons on nail. Woman's gown on ditto. Over mantelpiece picture of Michael, lance, slaying Satan, dragon with smoke. Small table near bed, front. Bed with bedding. Spare. Flagpatch quilt. Yverdown design. Limes. Lighted lamp without globe, scarf, gazette, tumbler, quantity of water, julepot, ticker, side props, eventuals, man's gummy article, pink. A time. Act: dumbshow. Closeup. Leads. Man with nightcap, in bed, fore. Woman, with curlpins, hind. Discovered. Side point of view. First position of harmony. Say! Eh? Ha! Check action. Matt. Male partly masking female. Man looking round, beastly expression, fishy eyes, paralleliped homoplatts, ghazometron pondus, exhibits rage. Business. Ruddy blond, Armenian bole, black patch, beer wig, gross build, episcopalian, any age. Woman, sitting, looks at ceiling, haggish expression, peaky nose, trekant mouth, fithery wight, exhibits fear. Welshrabbit teint, Nubian shine, nasal fossette, turfy tuft, undersized, free kirk, no age. Closeup. Play! Callboy. Cry off. Tabler. Her move. Footage. By the sinewy forequarters of the mare Pocahontas and by the white shoulders of Finnuala you should have seen how that smart sallowlass just hopped a nanny's gambit out of bunk like old mother Mesopotomac and in eight and eight sixtyfour she was off, door, knightlamp with her, billy's largelimbs prodgering
