Difference between revisions of "Bidimetoloves"
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* '''pity me to love''' | * '''pity me to love''' | ||
| − | * '''Biddy Doran''': the Earwickers' hen | + | * '''Biddy Doran''': the Earwickers' hen (Cf. [http://digicoll.library.wisc.edu/cgi-bin/JoyceColl/JoyceColl-idx?type=turn&entity=JoyceColl001600160164&q1=Biddy%20Doran Third Census of Finnegans Wake]) |
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* It is the fight between '''Biddy O'Brien''' and Maggy O'Connor that sets off the riot at Tim's wake, during which a splash of whisky revives his dead body. | * It is the fight between '''Biddy O'Brien''' and Maggy O'Connor that sets off the riot at Tim's wake, during which a splash of whisky revives his dead body. | ||
Revision as of 15:18, 26 July 2006
- Robert Herrick (1591-1674), To Anthea, Who May Command Him Anything, in Hesperides (1648), ll. 1-2: "Bid me to live, and I will live/ Thy Protestant to be" → Herrick's cavalier love-lyric was set to music by John L. Hatton (1809-86)
- Ulysses 614.33: "Bid me to live and I will live thy protestant to be"
- Protestants
- pity me to love
- Biddy Doran: the Earwickers' hen (Cf. Third Census of Finnegans Wake)
- It is the fight between Biddy O'Brien and Maggy O'Connor that sets off the riot at Tim's wake, during which a splash of whisky revives his dead body.
