Difference between revisions of "Page 293"
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− | + | <table style="border-spacing: 20px 0"> <TR> <TD> </TD> <TD> Coss? Cossist? Your parn! You, you make</TD> <TD> WHY MY AS </TD> </TR> | |
− | </ | + | <TR> <TD> </TD> <TD> what name? (and in truth, as a poor soul is</TD> <TD> LIKEWISE </TD> </TR> |
− | + | <TR> <TD> </TD> <TD> between shift and shift ere the teath he has</TD> <TD> WHIS HIS. </TD> </TR> | |
− | + | <TR> <TD> </TD> <TD> lived through becomes the life he is to die</TD> <TD> </TD> </TR> | |
− | + | <TR> <TD> </TD> <TD> into, he or he had albut — he was rickets as to</TD> <TD> </TD> </TR> | |
− | </ | + | <TR> <TD> </TD> <TD> reasons but the balance of his minds was</TD> <TD> </TD> </TR> |
− | + | <TR> <TD> </TD> <TD> stables — lost himself or himself some som-</TD> <TD> </TD> </TR> | |
− | + | <TR> <TD> </TD> <TD> nione sciupiones, soswhitchoverswetch had</TD> <TD> </TD> </TR> | |
− | + | <TR> <TD> </TD> <TD> he or he gazet, murphy come, murphy go,</TD> <TD> </TD> </TR> | |
− | + | <TR> <TD> </TD> <TD> murphy plant, murphy grow, a maryamyria-</TD> <TD> </TD> </TR> | |
− | + | <TR> <TD> </TD> <TD> meliamurphies, in the lazily eye of his lapis,</TD> <TD> </TD> </TR> | |
− | + | <TR> <TD> </TD> <TD> </TD> <TD> </TD> </TR> | |
− | lived through becomes the life he is to die | + | <TR> <TD> </TD> <TD> <IMG SRC="sigla/geometry.gif" ALT="ALP geometry lesson"></TD> <TD> </TD> </TR> |
− | + | <TR> <TD> </TD> <TD> </TD> <TD> </TD> </TR> | |
− | + | <TR> <TD> <i>Uteralterance or</i> </TD> <TD> Vieus Von DVbLIn, 'twas one of dozedeams</TD> <TD> </TD> </TR> | |
− | + | <TR> <TD> <i>the Interplay of</i> </TD> <TD> a darkies ding in dewood) the Turnpike under</TD> <TD> </TD> </TR> | |
− | into, he or he had albut ; | + | <TR> <TD> <i>Bones in the </i> </TD> <TD> the Great Ulm (with Mearingstone in Fore</TD> <TD> </TD> </TR> |
− | + | <TR> <TD> <i>Womb.</i> </TD> <TD> ground). <SUP>1</SUP> Given now ann linch you take enn</TD> <TD> </TD> </TR> | |
− | + | <TR> <TD> </TD> <TD> all. Allow me! And, heaving alljawbreakical</TD> <TD> </TD> </TR> | |
− | + | <TR> <TD> </TD> <TD> expressions out of old Sare Isaac's <SUP>2</SUP> universal</TD> <TD> </TD> </TR> | |
− | reasons but the balance of his minds was | + | <TR> <TD> <i>The Vortex.</i> </TD> <TD> of specious aristmystic unsaid, A is for Anna</TD> <TD> </TD> </TR> |
− | + | <TR> <TD> <i>Spring of Sprung</i> </TD> <TD> like L is for liv. Aha hahah, Ante Ann you're</TD> <TD> </TD> </TR> | |
− | + | <TR> <TD> <i>Verse. The Ver-</i> </TD> <TD> apt to ape aunty annalive! Dawn gives rise.</TD> <TD> </TD> </TR> | |
− | + | <TR> <TD> <i>tex.</i> </TD> <TD> Lo, lo, lives love! Eve takes fall. La, la, laugh</TD> <TD> </TD> </TR> | |
− | + | <TR> <TD> </TD> <TD> leaves alass! Aiaiaiai, Antiann, we're last to</TD> <TD> </TD> </TR> | |
− | + | <TR> <TD> </TD> <TD> the lost, Loulou! Tis perfect. Now (lens</TD> <TD> </TD> </TR> | |
− | + | <TR> <TD COLSPAN=3> <SUP>1</SUP> Draumcondra's Dream country where the betterlies blow. </TD> </TR> | |
− | + | <TR> <TD COLSPAN=3> <SUP>2</SUP> O, Laughing Sally, are we going to be toadhauntered by that old Pantifox </TD> </TR> | |
− | nione sciupiones, soswhitchoverswetch had | + | <TR> <TD COLSPAN=3> Sir Somebody Something, Burtt, for the rest of our secret stripture? </TD> </TR> |
− | + | </TABLE> | |
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− | he or he gazet, murphy come, murphy go, | ||
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− | murphy plant, murphy grow, a maryamyria- | ||
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− | meliamurphies, in the lazily eye of his lapis, | ||
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− | <IMG SRC="sigla/geometry.gif" ALT=" | ||
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− | all. Allow me! And, heaving alljawbreakical | ||
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− | expressions out of old Sare Isaac's <SUP>2</SUP> universal | ||
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− | leaves alass! Aiaiaiai, Antiann, we're last to | ||
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− | the lost, Loulou! Tis perfect. Now (lens | ||
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− | Draumcondra's Dream country where the betterlies blow.</ | ||
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Revision as of 16:28, 20 January 2006
Coss? Cossist? Your parn! You, you make | WHY MY AS | |
what name? (and in truth, as a poor soul is | LIKEWISE | |
between shift and shift ere the teath he has | WHIS HIS. | |
lived through becomes the life he is to die | ||
into, he or he had albut — he was rickets as to | ||
reasons but the balance of his minds was | ||
stables — lost himself or himself some som- | ||
nione sciupiones, soswhitchoverswetch had | ||
he or he gazet, murphy come, murphy go, | ||
murphy plant, murphy grow, a maryamyria- | ||
meliamurphies, in the lazily eye of his lapis, | ||
<IMG SRC="sigla/geometry.gif" ALT="ALP geometry lesson"> | ||
Uteralterance or | Vieus Von DVbLIn, 'twas one of dozedeams | |
the Interplay of | a darkies ding in dewood) the Turnpike under | |
Bones in the | the Great Ulm (with Mearingstone in Fore | |
Womb. | ground). 1 Given now ann linch you take enn | |
all. Allow me! And, heaving alljawbreakical | ||
expressions out of old Sare Isaac's 2 universal | ||
The Vortex. | of specious aristmystic unsaid, A is for Anna | |
Spring of Sprung | like L is for liv. Aha hahah, Ante Ann you're | |
Verse. The Ver- | apt to ape aunty annalive! Dawn gives rise. | |
tex. | Lo, lo, lives love! Eve takes fall. La, la, laugh | |
leaves alass! Aiaiaiai, Antiann, we're last to | ||
the lost, Loulou! Tis perfect. Now (lens | ||
1 Draumcondra's Dream country where the betterlies blow. | ||
2 O, Laughing Sally, are we going to be toadhauntered by that old Pantifox | ||
Sir Somebody Something, Burtt, for the rest of our secret stripture? |